SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "her present Majesty"/1) | (@(roleclean,performerclean) "her present Majesty")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1870 matches on Event Comments, 56 matches on Performance Title, 54 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The Lord Mayor's show. Evelyn, Diary: Was my L. Majors shew with a number of sumptuous pageantry, speeches & Verses: I was standing in an house in Cheape side, against the place prepared for their Majesties. The Prince & heire of Denmark was there, but not our King

Performances

Mainpiece Title: London's Triumph: Presented In Severall Delightfull Scaenes

Event Comment: By Command of their Royal Highnesses the Duke and the Princesses Amelia, Caroline, and Louisa. Rylands MS.: Duke and Princesses present. Receipts: #100. [Winston MS. lists Constant Couple, which had been announced for this day in the previous Bill, but which seems to have been deferr'd on account of this command performance.

Performances

Mainpiece Title: The Provoked Wife

Song: I: Bright Author of my present Flame-Lowe

Dance: II: Le Boufon, as17411030; V: Les Jardiniers Suedois, as17411128

Performances

Mainpiece Title: Neptune's Address To His Most Sacred Majesty Charles The Second; King Of England, Scotland, France And Ireland

Performances

Mainpiece Title: No One's Enemy But His Own

Afterpiece Title: Perseus and Andromeda

Music: I: Concerto on Hautboy-Simpson

Dance: II: The Sicilian Peasants, as17631005

Song: A Pastoral Dialogue From The Arcadian Nuptials, and New Masque [see17640120]-Beard, Miss Hallam[, before Their Majesties, the Prince and Princess of Brunswick, and other Members of the Royal Family (Gentleman's Magazine, Jan., p. 38)

Event Comment: The original Music [of the TE DEUM] is in two Scores, MS., one of them in the possession of the King of Naples, and the other in that of his Royal Highness the Prince of Wales, by whose gracious condescension the use of this Score will be allowed for that night. The new Organ, built by Green (organ-builder to his Majesty) for the new Subscription Room, will be played upon this occasion by Greatorex. Boxes to be taken of Rice. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. No Money to be returned. The Doors to be opened at 7:00. To begin at 8:00

Performances

Mainpiece Title: A Grand Selec Tion Of Music From The Most Eminent Masters

Afterpiece Title: THE GRAND TE DEUM, composed by Paisiello, upon the return of his Majesty the King of the Two Sicilies, from Vienna to Naples, in the summer of 1791

Event Comment: Boswell (Restoration Court Stage, pp. 180-81) believes that a performance occurred on this day, as well as on 16 Feb. 1674@5, Shrove Tuesday, the date often specified in advance statements. For previous notices, see 2 Feb. 1674@5, 15 and 22 Dec. 1674. Edition of 1675:....followed at innumerable Rehearsals, and all the Representations by throngs of Persons of the greatest Quality...at the 20th or 30th, for near so often it had been Rehearsed and Acted....And the Composer of all the Musick both Vocal and Instrumental Mr Staggins. Langbaine. (English Dramatick Poets, p. 92): a Masque at court, frequently presented there by Persons of great Quality, with the Prologue, and the Songs between the Acts: printed in quarto Lond. 1675....This Masque was writ at the Command of her present Majesty: and was rehearsed near Thirty times, all the Representations being follow'd by throngs of Persons of the greatest Quality, and very often grac'd with their Majesties and Royal Highnesses Presence. John Evelyn (The Life of Mrs Godolphin): [Mrs Blagge] had on her that day near twenty thousand pounds value of Jewells, which were more sett off with her native beauty and luster then any they contributed of their own to hers; in a word, she seemed to me a Saint in Glory, abstracting her from the Stage. For I must tell you, that amidst all this pomp and serious impertinence, whilst the rest were acting, and that her part was sometymes to goe off, as the scenes required, into the tireing roome, where severall Ladyes her companions were railing with the Gallants trifleingly enough till they were called to reenter, she, under pretence of conning her next part, was retired into a Corner, reading a booke of devotion, without att all concerning herself or mingling with the young Company; as if she had no farther part to act, who was the principall person of the Comedy...[With] what a surprizeing and admirable aire she trode the Stage, and performed her Part, because she could doe nothing of this sort, or any thing else she undertooke, indifferently....Thus ended the Play, butt soe did not her affliction, for a disaster happened which extreamly concern'd her, and that was the loss of a Diamond of considerable vallue, which had been lent her by the Countess of Suffolke; the Stage was immediately swept, and dilligent search made to find it, butt without success, soe as probably it had been taken from her, as she was oft inviron'd with that infinite crowd which tis impossible to avoid upon such occasion. Butt the lost was soon repair'd, for his Royall Highness understanding the trouble she was in, generousely sent her the wherewithall to make my Lady Suffolke a present of soe good a Jewell. For the rest of that days triumph I have a particular account still by me of the rich Apparell she had on her, amounting, besides the Pearles and Pretious Stones, to above three hundred pounds (ed. Samuel Lord Bishop of Oxford [London, 1847], pp. 97-100). See also 15 Dec. 1674

Performances

Mainpiece Title: Calisto; Or, The Chaste Nimph

Performance Comment: Edition of 1675: Prologue-; Calisto-The Lady Mary; Nyphe-The Lady Anne; Jupiter-The Lady Henrietta Wentworth; Juno-The Countess of Sussex; Psecas-The Lady Mary Mordaunt; Diana-Mrs [Margaret] Blagge; Mercury-Mrs Jennings; Nymphs attending Diana-The Countess of Darby, The Countess of Pembroke, The Lady Katherine Herbert, Mrs Fitz-Gerald, Mrs Frazier; [The Persons of Quality of the Men that Danced-His Grace the Duke of Monmouth, The Viscount Dunblaine, The Lord Daincourt, Mr Trevor, Mr Harpe, Mr Lane[, Mr Leonard, Mr Franshaw]; [In the Prologue were Represented, The River Thames-Mrs Moll? Davis; Peace-Mrs Mary? Knight; Plenty-Mrs Charlotte? Butler; The Genius of England-Mr Turner; Europe-Mr Hart; Asia-Mr Richardson; Africa-Mr Marsh Jun; America-Mr Ford; [In the Chorusses betwixt the Acts: Strephon-Mr Hart; Coridon-Mr Turner; Sylvia-Mrs Davis; Daphne-Mrs Knight; Two African Women-Mrs Butler, Mrs Hunt; The Epilogue-Jupiter.

Afterpiece Title: Calisto's Additional performers

Performance Comment: See Boswell, Restoration Court Stage, pp. 201-2- Singers-Mrs Masters, Mrs Peirce, Robert, Degrang, Shepheard, Maxfield, Preston, Letelier, Bopins, Bury; Boys-Jack, Waters, Coninsby, Smyth; Harpsicals-Corneille, Bartleme; Theorboes-Marsh, Lylly; Bass Violls-Coleman, Stephkins, Bates; Recorders-Paisible, Bootell, DeBreame, Giton; Gittars-Frasico Corbett, Outom, Delony, Delloney; Trumpeters-Bounty, Thompson, Ragway, Christmas; Kettle Drummer-VanBright; Violins-NicholasStaggins, Singleton, Clayton, Tho. Fitz, Hewson, Myres, Tho. Farmer, Aleworth, Jo. Bannister, Lediger, Harris, Theo. Fitz, Greetinge, Ashton, Gamble, Fashions, Flower, Isaack Staggins, John Strong, Finell, Browne, Brookwell, Dorney, Spicer, Price, Pagitt, Duffill, Kidwell, Jo. Farmer, Basrier, Viblett, Hall, Eagles; Dancers-St Andre, Isaacke, Delisle, Herriette, Dyer, Smyth, Motley, Berto, Letang, Muraile, LeRoy, LeDuke.

Performances

Mainpiece Title: Concert

Event Comment: @140 tickets at 10s.140 tickets at 10s. 6d. #73 10s.@158 tickets at 5s. #39 10s.@275 tickets at 3s. 6d. #48 2s. 6d.@573 present. Receipts: #161 2s. 6d.@ Paid 100 Renters #10 (Account Book). Charges: #35 (Account Book)

Performances

Mainpiece Title: Theodora

Performance Comment: But with "new Additions and Alterations by Mr Handel since it was last presented." Valens-; Didymus-; Septimus-; Theodora-; Irene-; Chorus of Christians-; Chorus of Heathens-.

Music: As17610206

Event Comment: According to Robert Withington (English Pageantry, An Historical Outline, Cambridge, Mass., 1918, I, 242n), the expense of the entertainment came to #7888 2s. 6d. (See also Pepys, Diary, and other accounts.) The Diurnal of Thomas Rugg, ed. Sachse, pp. 98-99: A lane [was] made in the Citty, made by the livery men of several companyes; and many pageants in the streets...Att Cheap sid his Majesty beheld a famous pagien, and staid there for som littl space, where were speeches made by the lady paganetts. Evelyn, Diary: I saw his Majestie go with as much pompe & splendor as any Earthly prince could do to the greate Citty feast...but the exceeding raine which fell all that day, much eclips'd its luster:...the streets adorn'd with Pageants &c: at immense cost

Performances

Mainpiece Title: London's Glory Represented By Time, Truth, And Fame

Performance Comment: At the Magnificent Triumphs and Entertainment of His Most Sacred Majesty Charles the II...At Guildhall on Thursday the 5th day of July 1660.
Event Comment: Newdigate newsletters (Folger Shakespeare Library), 22 Oct. 1687: There are to be 5 Pageants on the Ld Mayors day one representing Liberty by a Beautifull young Lady attended with Riches Plenty and ffreedom &c. (transcribed by Professor John Harold Wilson). Luttrell (A Brief Relation, I, 418): The 29th was the anniversary of the lord mayors show, the new one, sir John Shorter, now entring on his office; the shew was splendid and the entertainment great, according to custome: his majestie, with the prince of Denmark, did the citty the honour to dine with them at Guildhall, as also the nobility, foreign ministers, amongst which was the popes nuncio (who was invited particularly by some of the aldermen): the streets were new gravell'd all that morning on one side of the way, from Charing-crosse to the citty, for his majesties passage. His majestie was well satisfied with the whole entertainment. The Duke of Beaufort to the Duchess, 29 Oct. 1687 [a summary, apparently]: Has just come from the greatest entertainment he ever saw at a Lord Mayor's feast in the city, and the best ordered, though there was the greatest concourse there and in the streets that was ever known, and the greatest acclamations, all through the city as the King passed. The Queen did not dare venture, remembering that the Bristol entertainment had put her out of order, but all the nobility in town, and the foreign ministers were there. The Pope's Nuncio in particular was invited by the Lord Mayor and nobly entertained (HMC, 12th Report, Appendix, Beaufort MSS., Part IX, pp. 90-91)

Performances

Mainpiece Title: London's Triumph; Or, The Goldsmith's Jubilee

Performance Comment: Performed on Saturday, October XXIX. 1687. For the Confirmation and Entertainment of the Right Honourable Sir John Shorter, Kt. Lord Mayor of the City of London. Containing A Description of the several Pageants and Speeches, made proper for the Occasion. Together with a Song, for the Entertainment of His Majesty, who with His Royal Consort; the Queen Dowager; their Royal Highnesses, the Prince and Princess of Denmark, and the whole Court, honour his Lordship, this Year, with their Presence. All set forth at the proper Costs and Charges of the Worshipful Company of Goldsmiths. By Mr Taubman.
Event Comment: Present Their Majesties, Prince of Wales and Prince Frederick. Gave Yeomen of the Guards #2 2s. Receipts: #234 15s. (Account Book)

Performances

Mainpiece Title: The Provok'd Husband

Cast
Role: Mrs Motherly Actor: Mrs Ferguson

Afterpiece Title: Harlequin Skeleton

Dance: IV: The Lamplighters, as17681101

Event Comment: Present their Majesties. Gave Yeomen of Guards #2 2s. (Account Book). Receipts: #199 14s. 6d. (Account Book)

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Knights

Related Works
Related Work: The Knight of the Burning Pestle Author(s): John Fletcher
Related Work: The Knight of Malta; or, The Humorous Dane Author(s): John Fletcher
Related Work: The Knights of Malta Author(s): John Fletcher

Dance: III: The Reel-Aldridge, Sga Manesiere [see17701103]; End: The Old ground Young-Aldridge, Mas. Harris, Miss Twist [see17701123]

Event Comment: Present The Duke, Princess Amelia, and Princess of Hesse (Account Books, Egerton 2268). Receipts: #161 3s

Performances

Mainpiece Title: The Rehearsal

Cast
Role: Gentleman Usher Actor: Hippisley
Related Works
Related Work: The Rehearsal; or, Bayes in Petticoats Author(s): Katherine Clive

Afterpiece Title: Duke and No Duke

Event Comment: Present the King and Princess Amelia (Account Books, Egerton 2268). Receipts: #72 0s. 6d

Performances

Mainpiece Title: Measure For Measure

Event Comment: Present the King, The Duke and Princess Amelia. Paid Mrs Campioni for 16 day's salary at #3 10s. per week #9 5s. 8d. Receipts: #99 18s. 6d

Performances

Mainpiece Title: Don Sebastian

Afterpiece Title: The Royal Chace

Cast
Role: Hercules Actor: Delagarde

Dance: As17461231

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; particularly a Song-[Hughes] [before Her Majesty, in Congratulation of Her Majesty's Happy Accession to the Crown; [Also several Entertainments-Mr Dean, Signior Francisco; [And three New Songs [never perform'd anywhere-Mr Hughs; [And that much celebrated Song for the Trumpet[, perform'd originally-Mr Pate [in The Island Princess, beginning Rouse ye Gods of the Main; [Also a Sonata for two Trumpets-; [and positively there will be perform'd an Extraordinary Entertainment on the Arch/Lutes-an Eminent Master [who never perform'd there before; accompanied-Mr Dean, others

Event Comment: Benefit Morphy. Tickets 5s. N.B. Several of the best Masters of the Opera doing Mr Morphy the favour to perform in his Consort, it will begin exactly at five, and end in time for Persons of Quality to go there

Performances

Mainpiece Title: Concert

Music: The best Masters; in which several Entertainments on the Silver string'd Harp on which he has had the Honour to play before the present Emperor and the King of Portugal-Mr Morphy

Performances

Mainpiece Title: The Sailor's Opera; Or, An Example Of Justice To Present And Future Times

Afterpiece Title: The Historical Register

Music: With aPreamble on the Kettle@Drums-Mr Job Baker; who will accompany several Songs in the Opera-

Performances

Mainpiece Title: The Comedy Of Errors

Afterpiece Title: The Fortune Tellers

Cast
Role: Mother Actor: Barclay.
Role: Colombine's Father Actor: Leigh

Song: HHappy Pair-Beard; III: Bright Author of my Present Flame-Lowe

Dance: II: A Musette-M Mechel, Mlle Mechel; IV: A Dutch Dance-Delamain; V: A Pierrot Dance-M Mechel, Mlle Mechel

Performances

Mainpiece Title: The Rehearsal

Song: I: Bright Author of my Present Flame-Lowe; II: Happy Pair-Beard; IV: If all that I love is her Face-Mrs Arne

Dance: III: A Dutch Dance, as17411114; V: Miller and his Wife, as17411015

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Fortune Tellers

Cast
Role: Mother Actor: Barclay.
Role: Colombine's Father Actor: Leigh

Song: I: Bright Author of my Present Flame-Lowe; II: Happy Pair-Beard,

Dance: III: A Dutch Dance, as17411114; IV: Sailor's Dance, as17411015; V: The Swiss, as17410926

Event Comment: RRylands MS: Old Cibber play'd Brute. [The preceding day's notice started this performance was By Command of his Royal Highness, The Prince of Wales, although no such notice appears in the day's Bill. But the following note is included on the day's bill in the London Daily Post and General Advertiser.] By His Majesty's Command, no persons to be admitted behind the scenes, nor any money to be return'd after the curtain is drawn up. [Fleetwood made an earnest attempt this year to clear the stage for action. All notices up to this day contain the prohibition of members of the audience behind scenes as stated on the bill of 15 Oct. Hereafter the prohibition is enforced by His Majesty's Command.] Receipts: #182

Performances

Mainpiece Title: The Provoked Wife

Song: I: Bright Author of my Present Flame-Lowe; IV: Non Ch'amarmi a Song of Farinelli's-Mrs Arne

Dance: II: A Pierrot Dance, as17411114; III: The Drunken Peasant, as17411029; V: A Musette, as17411114

Performances

Mainpiece Title: The Recruiting Officer

Song: I: New Ballad-Lowe; III: Bright Author of my present Flame-Lowe

Dance: II: Le Boufon, as17411030; V: Les Jardiniers Suedois, as17411128

Performances

Mainpiece Title: The Constant Couple

Cast
Role: Beau Clincher Actor: Cibber Jun.
Role: Clincher Jun Actor: Neale

Afterpiece Title: Harlequin Shipwrecked (from Rylands MS

Cast
Role: Mother Actor: Barclay.
Role: Colombine's Father Actor: Leigh

Song: I: Bright Author of My Present Flame-Lowe; III: The Early Horn-Lowe

Dance: II: A Concerto-Mlle Mechel; IV: The Italian Peasants, as17411205

Performances

Mainpiece Title: The Constant Couple

Cast
Role: Beau Clincher Actor:
Role: Clincher Jun Actor: Neale

Song: I: A Ballad-Beard; III: Bright Author of my Present Flame-Lowe

Dance: II: Les Matelotes, as17411110

Ballet: V: Les Satires Puny. As17420106